Juv Fantasy: The Castle Behind Thorns, Merrie Haskell

The Castle Behind Thorns
Merrie Haskell
ISBN: 9780062008190
A lush and leisurely re-working of Sleeping Beauty set in Brittany in 1518, with saints and magic and themes of family betrayal, friendship, trust, and forgiveness.
Read December 28, 2014

Lovely to read through, but it will be a very specific middle-grade reader to appreciate the vocabulary, dense thematic structure, and really superbly slow narrative pace.  It's fun for me as an adult, as a fast reader, and as someone who appreciates fairy-tale re-workings and historical fiction, but I think that it might easily fail to grab attention.

Sand (great name for a smith) wakes up in a fireplace, and realizes he's in the Sundered Castle, which has been hidden behind thorns since his father was a child.  The castle is still hidden behind thorns, but now they are keeping him prisoner as well.

I'll try to remain vague to avoid spoiling everything.

I loved the slow build of exploration and discovery.

I loved the focus on mending and repairing, especially how it relates to the other characters.

I loved the unapologetic hatred towards war and violence.

I loved the way that forgiveness was presented - not as a religious or civic duty, but as an act of self-preservation and personal mental/emotional health.

I loved the mending magic, the saints, and the Greek afterlife complete with Lethe, shades, and pomegranate seeds.

I loved Sand's enormous complicated blacksmithing solution.

I loved that the resolution was prosaic and mundane and that the "punishment" for the guilty was self-inflicted (although that was a little too perfectly settled, and I really feel for that priest and those poor knights).


The author has another fairy-tale re-working (12 Dancing Princesses) that I have almost picked up several times and just never felt like it grabbed me: The Princess Curse.  Now that I've read this one and have high opinions of the language and writing style, I might give that one a try even if the storyline itself doesn't seem as personally interesting.