Tuesday Storytime: Winter is Coming

Some lovely nature books for the onset of winter, at the start of December.  Wanted to counteract all of the rampant Christmassing going on everywhere.

Winter is Coming

Tony Johnston, illustrated by Jim LaMarche

ISBN: 9781442472518

Reviewed here, read only exerpts for storytime due to extremely young attendees.

Such a beautiful book.  I trimmed it waaaay down so I could use it with this group - cut 6 spreads completely out.  Because it's sequential, it didn't detract from the narrative flow, just tightened the focus a good bit and moved it along a lot faster so our under-4 year olds didn't get terminal wiggles.  It's still one of the most beautiful books I've seen, but the language isn't as poetic or flowing as the illustrations (and the type is very small), which makes it a bit challenging to read aloud.

Moon Glowing

Elizabeth Partridge, illustrated by Joan Paley

ISBN: 0525468730

Blocky painterly collage elements and a lovely wintry color palette.

I've used this fall/hibernation book a few times in past storytimes, but not recently, and it goes very well with my natural progression of the winter concept here.  We follow three animals; squirrel, bat, and bear, as they prepare over the fall for the onset of winter.  The text is large and highly contrasted to the pages, the images are clear and stylized with crisp colors and sharp minimalist patterns and textures.  The tight focus on the three animals means that the book is super short, but still hits clearly on the natural world's focus in late fall; storing food, preparing shelter, sleeping.  Pretty and much more accessible to a younger crowd, not least because of the much more appropriate length and minimal text.

In November

Cynthia Rylant, illustrated by Jill Kastner

ISBN: 0152010769

One day late with this one.  Much like the other two, but with a short coda about Thanksgiving.

This book somehow manages to be super-factual, but impressively lyrical.  While I have no problems at all with Kastner's beautiful illustrations (the contrast between the clear-as-a-bell framing and composition with the muddled and mottled colors and blurry edges of the actual paintings is stunning to look at) I have to contrast this lovely language with that in Winter is Coming, and see how much more apt and flowing it is, and it makes me wish that Rylant would write something natural and poignant for LaMarche to illustrate.  It would probably make me cry.